Roy Lichenstein. Bicenteniel Poster 1976 Lithograph and Screen Print
REIGATE GOES POP
Thursday 4th June to Sunday 26th July
Celebrating the defining movement of Pop Art, Adam’s Gallery presents a curated exhibition of landmark works by leading figures of the 20th-century Pop Art movement.
Pop Art emerged in the 1950s in the United Kingdom and later developed in the United States as a response to both the inward focus of Abstract Expressionism and the exclusivity of traditional fine art. In Britain, artists such as Richard Hamilton and Eduardo Paolozzi used collage and painting to examine postwar consumer culture and mass media, drawing heavily on American advertising and popular imagery.
The Independent Group helped shape the movement’s intellectual foundation by encouraging the study of both elite and popular culture. In the United States, artists including Andy Warhol, Roy Lichtenstein, Jasper Johns, and Robert Rauschenberg brought Pop Art to international attention through works featuring everyday objects, comic imagery, and commercial symbols.
Andy Warhol Untitled (Woman with Sunglasses) Graphite on wove paper 1962 60.6 x 45.7 cm Annotated 'C-808.2' in pencil on the reverse Framed Andy Warhol’s ‘Untitled (Woman with Sunglasses)’ is a compelling graphite drawing from 1962 that highlights the artist’s sharp observational style during his mid-career. Drawn on wove paper and measuring 60.6 x 45.7 cm, the work captures a poised figure and uses subtle lines to present them as glamorous and alluring, reflecting Warhol’s early fascination with celebrity and identity. Framed and annotated "C-808.2" in pencil on the reverse, this drawing stands as a rare and intimate example of Warhol’s hand-drawn practice prior to his transition into silkscreen print production. The piece exemplifies his ability to capture an audience and offers an early glimpse into the themes that would define his iconic Pop Art. £18,500
Andy Warhol Lincoln Center Ticket Colour screenprint on light wove paper 1967 115 x 61 cm Edition of 500 Unsigned and unnumbered. Catalogue raisonné entry: Feldman/Schellmann II.19 Printed by Chiron Press, New York Published by List Art Posters for Lincoln Center for the Performing Arts £6,500
Andy Warhol Profile Upper Torso (Portrait) Unique blotted ink line drawing, on wove paper. c. 1957 34.9 x 28.9 cm Initialed 'VF' by Vincent Fremont of the Andy Warhol With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization inkstamps on the reverse Foundation and annotated 'XA-12.16' and '294.006' in pencil on the reverse Accompanied by a gallery Certificate of Authenticity £12,000
Andy Warhol Three Space Fruit Exhibition Posters Three of the six exhibition posters 1990 Silkscreen exhibition posters 71 x 56 cm each Published by Michael Zivian, New York NY in c.1990 Excellent condition Unframed Accompanied by a gallery Certificate of Authenticity £2,500
Warhol X Basquiat Boxing Anniversary Edition Poster A rare, highly collectible poster featuring Andy Warhol and Jean-Michel Basquiat for their Warhol Basquiat 1985 exhibition This limited edition print was released in 2015 by Tony Shafrazi Gallery to celebrate the 30 year anniversary of this iconic exhibition. Colour offset lithograph on paper 48 x 30.5 cm Edition of 300 Signed and numbered from the edition by Tony Shafrazi Accompanied by a gallery Certificate of Authenticity £9,200
Roy Lichtenstein Hand-Signed 1984 Los Angeles Olympic Games Poster Original poster produced for the 1984 Los Angeles Olympics Offset lithographic on wove paper 61 x 91.4 cm Edition of 750 with only 200 hand-signed examples Hand signed by Lichtenstein Published by Knapp Communications Inc Unframed and in excellent condition as issued £5,000
Robert Rauschenberg Hand-Signed 1984 Los Angeles Olympic Games Poster Original poster produced for the 1984 Los Angeles Olympics Offset lithographic on wove paper 1982 61 x 91 cm Hand-signed by Rauschenberg Edition of 750 with only 200 hand-signed examples Published by Knapp Communications Inc £3,500
Patrick Caulfield Lamp and Lung Ch'uan Ware Large original colour screenprint from an edition of 45. Signed and numbered in pencil by Patrick Caulfield. Published by Waddington Graphics, London in 1990. Measures 107 x 81 cm. Framed. Overall frame measures 115.2 x 89.2 cm. £2950
Eduardo Paolozzi A Funny Thing Happened on the Way to the Airport, 1972 Lithograph Signed £1750 From the Special Edition, this is the only complete signed edition, number one of fifty. Published by Snail Chemicals 1972.
Pauline Boty Portrait of Derek Marlowe with unkown ladies Giclee Print. Tate Gallery Collection
Pauline Boty The Only Blonde in the World Giclee Print Tate Gallery 1963
Allen Jones Woman Splash (Kneeling Woman) Lithograph £850
Allen Jones Kneeling Woman Screenprint • Unsigned • 59cm x 53.5cm £850
David Hockney David Hockney & Allen Jones, Galerie Seder Paris 1966 Offset lithograph • Signed in plate • 71cm x 52cm £950 Printed and published in 1966 for the exhibition of David Hockney and Allen Jones at the Galerie Seder, Paris in 1966. The image used for the poster is Hockney's "Picture of a Portrait in a Silver Frame", from his series of six lithographs entitled "A Hollywood Collection", published in 1965.
David Oxtoby Dick, 1974 Etching and aquatint • Signed • 15cm x 7.7cm £650 Signed 1st colour proof etching and aquatint. Portrait of Little Richard.
David Oxtoby Draggin (MJ), 1974 Etching and aquatint • Signed • 30cm x 20cm £650 Signed, dated and titled etching with aquatint. Inscribed 1st colour proof. Portrait of Mick Jagger in drag. Bears the blind stamp from The Archive of James Collyer. Printed by JC editions.
David Oxtoby Hammond Pearl, 1974 Etching • Signed • 12cm x 10cm £650 Signed 1st colour proof of Janis Joplin.
David Oxtoby Humble Face, 1974 Etching and aquatint • Signed • 18cm x 14cm £500 Signed, dated and titled etching with aquatint. 10/10 artist's proof. Portrait of Steve Marriott. Bears the blind stamp from The Archive of James Collyer. Printed by JC editions.
Eduardo Paolozzi Sack-O-Sauce, 1972 Screenprint, lithograph and collage. • Unsigned • 36cm x 27cm £750 Original lithograph with screenprint. From Paolozzi's sought after Bunk suite. Printed in an edition of 100. Published by Snail Chemicals 1972. Each piece for the Bunk series were hand-torn, creased, and adhered to boards in various colours, making each set a little unique. The piece will come with a copy of the signed and numbered justification page, which is dedicated 'for Ken'.
Eduardo Paolozzi Pop Art Redefined - Lots of Pictures - Lots of Fun, 1971 Screenprint • Signed • 76cm x 55.5cm £1250 Signed, dated and numbered original screenprint. From the edition of 1000. Commissioned as a cover design by Studio International magazine October 1971 issue, is a ‘state of play’ commentary on the American Pop Art movement, referencing the work of Andy Warhol, Ed Ruscha, Jasper Johns, Roy Lichtenstein and others in the artwork.
Eduardo Paolozzi Folks Always Invite Me for the Holidays, 1972 Screenprint • Signed • 33cm x 24cm £1750 From the Special Edition, this is the only complete signed edition, number one of fifty. Published by Snail Chemicals 1972.
Eduardo Paolozzi It's Daring it's Audacious, 1972 Lithograph • Signed • 32cm x 24cm £1250 From the Special Edition, this is the only complete signed edition, number one of fifty. Published by Snail Chemicals 1972.
Joe Tilson T-Slot, Dart, Ziggurat3, Ziggurat4, Freeway 2, Trio, Screenprint • Signed • 56cm x 84cm £1950 From the edition of 70. Printed on one sheet as a set of 6 images.
Joe Tilson Key 2003 Painted Wood Construction • Signed • 41cm x 33cm £1750 Signed verso painted wood sculpture. Small edition of 50. Comes in a screenprinted handmade wooden box. Published by Stamperia Berardinelli Arte, Verona, Italy.
Allen Jones Leg Spash Lithograph £1000
Roy Lichtenstein Bicentennial Poster, 1976 Lithograph with screenprint • Unsigned • 89cm x 60cm £1250 Lithograph with screenprint exhibition poster. Published by APC Editions and printed by Sanders Printing, New York.
Andy Warhol Marilyn - Tate Gallery, London, 1971 £1250 Offset Lithograph
Michael Rothenstein Circle (Beige to Purple with Radio Part), 1968-69 Woodcut & linocut • Signed • 74cm x 59.0cm £1750 Signed original woodcut with linocut and half tone block. From The Circle Series, 1968-70. This series with its prodigious variations was the main preoccupation of Rothenstein between 1968 and 1970. Now colour and specifically the emotional response to colour relationships came into its own. Working in the first instance with a combination of relief surfaces the final sequence of prints heralded the move towards photography and screenprinting.
Michael Rothenstein Black Pagoda (For Joan Baez), 1969 Woodcut & screenprint • Signed • 74cm x 59cm £1750 Signed original woodcut with screenprint and half tone block. From The Circle Series, 1968-70.
Michael Rothenstein Circle (Blue to Pink, Red Centre), 1968 Woodcut & linocut • Signed • 75.5cm x 59.0cm £1750 Signed original woodcut with linocut and half tone block from a small edition of 20. From The Circle Series, 1968-70.
Michael Rothenstein Hollywood Bowl, 1970 Woodcut & screenprint • Signed • 73.5cm x 58.5cm £1450 Signed original woodcut with screenprint and half tone block. From The Circle Series, 1968-70.
Mickey Mouse, Galerie Kammer, 1982 Offset lithograph • Signed in plate • 83.8cm x 59.2cm £650 Poster for a 1982 exhibition at the Galerie Kammer in Hamburg, Germany for Andy Warhol. Featuring the iconic design of Warhol's Mickey Mouse,
Patrick Caulfield Ah! this Life is so everyday, 1973 Screenprint • Unsigned • 40cm x 35cm £750 From Some Poems of Jules LaForgue. The 22 images illustrating the poems were prepared as studies for original screenprints by the artist between 1969 & 1972. Colour proofing took place in London at the studios of Christopher Betambeau in 1971-1972, and the editions were printed on Neobond synthetic paper, 200 gsm in Stuttgart by Frank Kicherer in 1972. The stencils have been destroyed. No further impressions will be printed.
Patrick Caulfield And I am alone in my house, 1973 Screenprint • Unsigned • 40cm x 35cm £950 From Some Poems of Jules LaForgue. The 22 images illustrating the poems were prepared as studies for original screenprints by the artist between 1969 & 1972. Colour proofing took place in London at the studios of Christopher Betambeau in 1971-1972, and the editions were printed on Neobond synthetic paper, 200 gsm in Stuttgart by Frank Kicherer in 1972. The stencils have been destroyed. No further impressions will be printed.
Patrick Caulfield We wanted to bleed the Silence, 1973 Screenprint • Unsigned • 40cm x 35cm £750 From Some Poems of Jules LaForgue. The 22 images illustrating the poems were prepared as studies for original screenprints by the artist between 1969 & 1972. Colour proofing took place in London at the studios of Christopher Betambeau in 1971-1972, and the editions were printed on Neobond synthetic paper, 200 gsm in Stuttgart by Frank Kicherer in 1972. The stencils have been destroyed. No further impressions will be printed.
Peter Blake Ostrich Beach, 2000 Screenprint • Signed • 33cm x 25.5cm £950 Signed and numbered, from an edition of 60. 19 colour screenprint on Somerset UK textured 300gm.
Peter Blake Studio Tack Board II, 2001 Lithograph • Signed • 59cm x 38.5cm £500 Signed, edition of 350. "In the mid 1960's I did a print called 'Studio Tack Board', which was printed at the Curwen Press. So when I was asked to make a new print for Curwen Studio's 40th anniversary, I referred back to that print, and using some of the original postcards, from a set called 'Salut De Constantinople' I made this lithograph 'Studio Tack Board 2'" Peter Blake.
Peter Phillips TURBOsonic, 1968 Screenprint • Signed • 61.5cm x 96cm £1250 Signed and dated screenprint. Printers proof aside from the main edition. From the PNEUmatics folio. This is a printer's copy dedicated to 'Chris and Rose'. Printed by Chris Prater at Kelpra Studios. Phillips used the screen printing process to full advantage taking a highly specialised range of imagery encompassing the automobile, the machine, the scientific diagram and 'glamour' poses. He plays with the familiar and unfamiliar to create illusions of recognition; very typical of 1960's Pop Art.
Peter Phillips Futuristic Revamp, 1968 Screenprint and collage • Signed • 61.5cm x 96cm £1250 Signed and dated screenprint. Printers proof aside from the main edition. From the PNEUmatics folio. This is a printer's copy dedicated to 'Chris and Rose'. Printed by Chris Prater at Kelpra Studios. Phillips used the screen printing process to full advantage taking a highly specialised range of imagery encompassing the automobile, the machine, the scientific diagram and 'glamour' poses. He plays with the familiar and unfamiliar to create illusions of recognition; very typical of 1960's Pop Art.
Peter Phillips PNEUmatics, 1968 Screenprint and collage • Signed • 61.5cm x 96cm £1250 Signed and dated screenprint. Printers proof aside from the main edition. From the PNEUmatics folio. This is a printer's copy dedicated to 'Chris and Rose'. Printed by Chris Prater at Kelpra Studios. Phillips used the screen printing process to full advantage taking a highly specialised range of imagery encompassing the automobile, the machine, the scientific diagram and 'glamour' poses. He plays with the familiar and unfamiliar to create illusions of recognition; very typical of 1960's Pop Art.
Peter Phillips The Lion, 1968 Screenprint and collage • Signed • 61.5cm x 96cm £1250 Signed and dated screenprint. Printers proof aside from the main edition. From the PNEUmatics folio. This is a printer's copy dedicated to 'Chris and Rose'. Printed by Chris Prater at Kelpra Studios. Phillips used the screen printing process to full advantage taking a highly specialised range of imagery encompassing the automobile, the machine, the scientific diagram and 'glamour' poses. He plays with the familiar and unfamiliar to create illusions of recognition; very typical of 1960's Pop Art.
Richard Hamilton Un des Effets des Eaux de Miers, 1973 Etching and aquatint • Signed • 11.5cm x 18cm £1450 Signed and numbered original etching with aquatint. From the edition of 100 for the Small Prints portfolio. Printed by the artist and Maurice Payne at the Petersburg Press, London on Jeyes toilet paper with rag paper backing, handmade by Peter Rowson. Published by Bernard Jacobson, London.
Joe Tilson Secret 2002 Painted Wood Construction • Signed • 38cm x 36cm £1450 Signed verso painted wood sculpture. Small edition of 75. Comes in a screenprinted handmade wooden box. Published by Stamperia Berardinelli Arte, Verona, Italy.
Allen Jones Untitled 1973 Screenprint • Unsigned • 56.5cm x 63cm £750 Unsigned from an edition of 75. From Mark Rothko Memorial Trust Portfolio.
Eduardo Paolozzi You'll soon be Congratulating Yourself, 1972 Lithograph • Signed • 35cm x 26cm £1500 Original lithograph on Atralux. From the Special Edition, this is the only complete signed edition, number one of fifty. Published by Snail Chemicals 1972.